LET YOUR CHARACTERS WRITE YOUR LOVE SCENES/PART SIX

Revised and updated from a workshop I did several years ago, this post is all about using your characters to make your love scenes unique and intricate to your story. It has been posted in several parts over the last few months. If you’re a writer, this may help inspire you to write some of the most difficult scenes in your book: your sensual encounters. If you’re a reader, you will get lots of sneak peeks into the Relics of Merlin series, which is being re-released by Sourcebooks over the next few years.

The Relics of Merlin series of books are whimsical romances set in a magical Victorian London of sexy shape-shifters, enchanted tea, wicked spells and loose corsets. Since I’ll be using excerpts from several of the books in the series, I thought it might be helpful to have a quick overview of each:

Enchanting the Lady:  In a world where magic rules everything, two misfits--Felicity Seymore, a Victorian beauty unable to perform even the simplest spell, and Sir Terence Blackwell, a were-lion searching for Merlin's relics--form a passionate alliance.

Double Enchantment:  When Lady Jasmina accidentally creates a double of herself using a relic, the mix-up brings her real self into a compromising position with sexy were-stallion, Sir Sterling Thorn.

Enchanting the Beast: In the third book of the Relics of Merlin series, ghost-hunter Philomena Radcliff comes to Grimspell castle to rid the residence of spirits, but she finds most haunting of all a reclusive were-wolf suspected of murder.

Everlasting Enchantment: In this brand-new fourth book, Sir Gareth Solimere has been trapped inside of one of Merlin’s relics for centuries, and only true love will set him free. But when were-panther Lady Millicent Pantere steals the relic, will she be his salvation or his doom?

So why am I doing a post on (gasp) sex scenes? Because several friends of mine said it was the hardest thing for them to write. Since they are my favorite part of the book to write, I thought I’d share how I do it and hopefully it will be helpful to others. Since I always seem to learn better by example, I’ll be giving examples from all my books to show how my love scenes are a development of my characters, plot and setting. I’m sure there are many other ways to develop a love scene, so let this be an inspiration and not a rule. If you’ve read any of my other posts on writing, you know my favorite motto is: there are no rules in writing, just guidelines.

(Read my previous posts on this subject by searching for the title in the LABELS or CATEGORIES in the far right sidebar.)

SIX: USING SETTING

Put your characters into a setting and allow their reactions to their environment write and shape the scene for you.  I used that shamelessly in my first novel, and in Enchanting the Beast:

   A pool of clear water sat in the middle of the glade, fed by several springs that appeared to flow from the top of an enormous crystal boulder that jutted out over the surface of the pond.  White falls of water hid the cavern beneath the boulder and Phil imagined that the crystal surface would fairly sparkle in the sunshine.

   The overcast day only appeared to make it glow.

   Not that she could see much of the sky above.  Gorchids grew to enormous proportions all around the edges of the pool, their stems so heavily laden with blooms that she could barely see the green of their leaves.  Pale lavender flowers with ruffled edges vied with star-shaped sepals enclosing frilly white petals.  Clusters of deeply pink flowers with burgundy insides grew next to vibrantly blue-spotted petals with tiger-striped tops.  Phil took a few steps out onto the mossy bank and breathed deeply.  The combined perfumes made her feel almost drunk with delight.

   A gust of wind curled through the glade and the flowers danced, the sound of their petals rubbing together like a delicate symphony.  Phil had never heard the like.  Some loose petals floated into the pond, creating a soft carpet of color on the rippling surface.

   She reached down and trailed her fingers in the crystal water.  It felt surprisingly warm.  Phil crouched and scooped up the liquid and bathed her face, removing the last vestiges of sorrow from her encounter with an illusory Tup.  She sat back on the spongy moss and closed her eyes, allowing the peace of the glade to soothe her.

“What an enchanting place,” she murmured.

   “I knew you’d like it,” said Nico.  “Come on, let’s go for a swim.  It was hot beneath the willows.”

   Phil glanced over her shoulder and gaped.  “What on earth do you think you’re doing?”

   Nico’s chest was bare, all that golden brown skin gleaming even in the cloudy daylight.  His boots and shirt already lay on the carpet of moss and he’d started to undo the buttons of his trousers.  “I always swim in just my skin.  Don’t you?”

Even if you’re not writing fantasy, consider how putting your characters into different settings can make their love scenes unique.  What about silk sheets on a bed?  Making love in a park, a forest?  Even an alley or bathroom nightclub can contribute to a different reaction from your characters and pull in different sensations. And consider the weather.  Are they sitting in front of a cozy fire while it’s snowing outside?  Is it a brilliant sunny day?  Or is it raining, as shown in the following excerpt from Enchanting the Beast?

Nico lifted her and lowered her onto his shaft with a swiftness that took her breath away.  Then his firm hands squeezed her bottom and he lifted her up.  The rain came down in earnest then, pelting their heads and faces, and Nico copied the rhythm of the storm.  Phil held on for dear life, the sky pounding her from above and Nico pounding her below.  The force of her body shattering with pleasure took her by surprise and she screamed his name, the wind drowning her cry and carrying it away.

Think of the setting your characters are in, then allow them to react to that setting. And let’s not forget to incorporate other elements, like the weather, to add to the intensity of your love scene.  This is where you can really take advantage of your five senses to not only craft your scene, but to make it come alive for your reader. Consider what your characters are feeling, hearing, smelling, touching and tasting.

This is my last installment of LET YOUR CHARACTERS WRITE YOUR LOVE SCENES. If you’re a writer, I hope you found this look into my writing process helpful and inspiring. If you’re a reader, I do hope you enjoyed a peek into some of the intimate moments of my heroes and heroines in the RELICS OF MERLIN series.

With All My Magical Best,

Kathryne

LET YOUR CHARACTERS WRITE YOUR LOVE SCENES/PART FIVE

Revised and updated from a workshop I did several years ago, this post is all about using your characters to make your love scenes unique and intricate to your story. It has been posted in several parts over the last few months. If you’re a writer, this may help inspire you to write some of the most difficult scenes in your book: your sensual encounters. If you’re a reader, you will get lots of sneak peeks into the Relics of Merlin series, which is being re-released by Sourcebooks over the next few years.

The Relics of Merlin series of books are whimsical romances set in a magical Victorian London of sexy shape-shifters, enchanted tea, wicked spells and loose corsets. Since I’ll be using excerpts from several of the books in the series, I thought it might be helpful to have a quick overview of each:

Enchanting the Lady:  In a world where magic rules everything, two misfits--Felicity Seymore, a Victorian beauty unable to perform even the simplest spell, and Sir Terence Blackwell, a were-lion searching for Merlin's relics--form a passionate alliance.

Double Enchantment:  When Lady Jasmina accidentally creates a double of herself using a relic, the mix-up brings her real self into a compromising position with sexy were-stallion, Sir Sterling Thorn.

Enchanting the Beast: In the third book of the Relics of Merlin series, ghost-hunter Philomena Radcliff comes to Grimspell castle to rid the residence of spirits, but she finds most haunting of all a reclusive were-wolf suspected of murder.

Everlasting Enchantment: In this brand-new fourth book, Sir Gareth Solimere has been trapped inside of one of Merlin’s relics for centuries, and only true love will set him free. But when were-panther Lady Millicent Pantere steals the relic, will she be his salvation or his doom?

So why am I doing a post on (gasp) sex scenes? Because several friends of mine said it was the hardest thing for them to write. Since they are my favorite part of the book to write, I thought I’d share how I do it and hopefully it will be helpful to others. Since I always seem to learn better by example, I’ll be giving examples from all my books to show how my love scenes are a development of my characters, plot and setting. I’m sure there are many other ways to develop a love scene, so let this be an inspiration and not a rule. If you’ve read any of my other posts on writing, you know my favorite motto is: there are no rules in writing, just guidelines.

(Read my previous posts on this subject by searching for the title in the LABELS or CATEGORIES in the far right sidebar.)

FIVE:  USING PLOT & CONFLICT

I think writing is like weaving, where you have to incorporate all these different strands into your work, and that removing any thread will make the entire thing fall apart.  So in all of the examples I’ve shown in the past few posts, there’s an element of conflict and plot as well.  Both their external (plot) and internal conflict can lead you to a unique love scene. In Enchanting the Lady, Felicity is trying to overcome her feelings of inadequacy (internal conflict), while Terence is trying to trust her (internal) and find the relic (external conflict).  In Double Enchantment, Jasmina is trying to prove that she’s just as passionate as her magical twin (internal) and Sterling is determined to make her marry him (internal).  And they’re both using each other to find the relic (external).  In Enchanting the Beast, Philomena is insecure about her age (internal) and Nico fears the nature of his beast (internal).  They are both trying to solve the mystery of Grimspell castle’s ghosts (external). For another example, I’ll use an excerpt from my upcoming brand new release, Everlasting Enchantment, to reflect the use of plot and conflict. Gareth is trying to seduce Millicent to break his curse (external), but finds himself actually falling in love with her (internal). Because she’s aware of the curse and his goal (external), she doesn’t trust him (internal), but finds herself wanting him all at the same time (internal), and the nature of her beast is fighting within her as well (internal). As you can tell, there’s a lot of conflict going on within this love scene:

Gareth groaned and pressed closer to her. She could feel his muscles tremble as he fought to keep his touch gentle.

Millicent buried her fingers in his hair and showed him she would not break. Perhaps…perhaps the moment she had truly known she would make love to him was when she had thought he had died. When she had felt such an overwhelming grief that she would have blindly rushed forward to save him if it hadn’t been for Nell reminding her that he was immortal.

Or was he?

Millicent easily pulled his face away from hers, heard him catch a breath at the reminder of her were-strength. “I cannot break your curse. I do not have enough love in my heart to do such a powerful thing.”

“I do not care.”

“So you said. But what if…what if it were possible? Will time catch up with you and turn you to dust?” Her voice cracked, betraying her emotions, her fear of making the wrong choice.

His eyes looked like twin pools of midnight, the light blue barely discernable. “I do not care.”

“I will lose you either way.”

“Are you sure you want to keep me?”

“I—“ Millicent frowned. She did not know what she wanted beyond this moment.

He slid his finger across her cheek. “Merlin’s spell bedamned. I will make love to you for no other reason than because I want to. Because I have to. Because I need to make you a part of me, if only for one night.”

And Millicent’s beast, who had lain strangely quiet within her, sensed her weakness and suddenly rose up, demanding this man for her mate. She could not stop the low growl that sounded in the back of her throat. Could not help but pull his face to hers once again, kissing him with a fierceness that she feared would startle him.

But Gareth only moaned, met her fierceness with his own, pushing her back against the bedding, his tongue tasting the inside of her mouth, his hands roaming over the silk sheet covering her; exploring, kneading, demanding.

Millicent did not know how he managed to keep her senses overwhelmed and remove his clothing at the same time, but within moments she felt his naked body slide next to hers, his skin warm and smoother than the silk. He felt perfect, his muscles molding against hers, as if they somehow fit like a puzzle into one form. And yet…a flutter of anxiety twisted through her and she fought the urge to push him away. She wanted him, yes, but feared him all at the same time.

Her beast growled, chiding her for being a coward. But the animal lacked the vulnerabilities of a human heart, acting on instinct and need alone. Her beast had always been a part of her, even in human form, and she had used that side of her nature to save her life and sanity more than once. But she had always controlled the inclinations of the were-cat.

Until now.

Consider your external and internal conflicts and allow your characters to bring them into their love scenes with them.  Think of all the different emotions they’re feeling and how it affects the intimacy of the scene, and then use that to guide you through their very own unique, special moment.

Until Next Time,

Kathryne

LET YOUR CHARACTERS WRITE YOUR LOVE SCENES/PART FOUR

Revised and updated from a workshop I did several years ago, this post is all about using your characters to make your love scenes unique and intricate to your story. It has been posted in several parts over the last few months. If you’re a writer, this may help inspire you to write some of the most difficult scenes in your book: your sensual encounters. If you’re a reader, you will get lots of sneak peeks into the Relics of Merlin series, which is being re-released by Sourcebooks over the next few years.

The Relics of Merlin series of books are whimsical romances set in a magical Victorian London of sexy shape-shifters, enchanted tea, wicked spells and loose corsets. Since I’ll be using excerpts from several of the books in the series, I thought it might be helpful to have a quick overview of each:

Enchanting the Lady:  In a world where magic rules everything, two misfits--Felicity Seymore, a Victorian beauty unable to perform even the simplest spell, and Sir Terence Blackwell, a were-lion searching for Merlin's relics--form a passionate alliance.

Double Enchantment:  When Lady Jasmina accidentally creates a double of herself using a relic, the mix-up brings her real self into a compromising position with sexy were-stallion, Sir Sterling Thorn.

Enchanting the Beast: In the third book of the Relics of Merlin series, ghost-hunter Philomena Radcliff comes to Grimspell castle to rid the residence of spirits, but she finds most haunting of all a reclusive were-wolf suspected of murder.

Everlasting Enchantment: In this brand-new fourth book, Sir Gareth Solimere has been trapped inside of one of Merlin’s relics for centuries, and only true love will set him free. But when were-panther Lady Millicent Pantere steals the relic, will she be his salvation or his doom?

So why am I doing a post on (gasp) sex scenes? Because several friends of mine said it was the hardest thing for them to write. Since they are my favorite part of the book to write, I thought I’d share how I do it and hopefully it will be helpful to others. Since I always seem to learn better by example, I’ll be giving examples from all my books to show how my love scenes are a development of my characters, plot and setting. I’m sure there are many other ways to develop a love scene, so let this be an inspiration and not a rule. If you’ve read any of my other posts on writing, you know my favorite motto is: there are no rules in writing, just guidelines.

(Read my previous posts on this subject by searching for the title in the LABELS or CATEGORIES in the far right sidebar.)

FOUR: USING YOUR CHARACTERS’ PERSONALITIES

Or you might want to think of this as: why your characters are perfect for each other.  What personality traits complement each other? Your character’s flaws, strengths, goals and motivation all combine to create a unique personality. Let the character’s personality add depth to your love scene and lead you into even more romantic encounters.  The following example on using your character’s personality is from Enchanting the Beast:

“But then I realized,” she mumbled, her eyes watching his every move, “that it wasn’t your predatory nature itself that fascinated me so much, as it was…”

Nico couldn’t resist the temptation any longer.  His hands curved around and under her breasts and he gave them a gentle squeeze.  Her breasts were heavy and full in his hands, so very perfect.  He lowered his mouth and kissed the top where the cloth had exposed the skin.  His shaft had been hard for some time but now his trousers felt as if they nearly strangled him.

Nico dropped her breasts long enough to yank on the flimsy gown, exposing her hardened, dark nipples.  Before she could finish her gasp of surprise he had his hands under her breasts again, lifting them and burying his face in all of that soft, sweet flesh.

“Ah, Nico,” she groaned, her hands weaving through his hair.  She raked her fingers back from his temples and he yielded his feast to look into her eyes.  “Don’t you see?  It’s not your nature that fascinates me.  I…I cannot resist the lure of taming your beast.”

Nico grinned, more wolfishly than he’d intended.  “It’s not possible, lady.”

Nico is a were-wolf, who is struggling with the predatory nature of his beast.  Philomena is an older woman (a ghost-hunter by trade) who has the ability to tame him. Their personalities led to a full chapter love scene, the longest I’ve ever written.  But the moment Phil calms him, Nico’s beast-nature surfaces again. So they went back and forth between their two personalities during a romantic encounter, until Philomena finally won.:}

Consider both your hero and heroine.  What facets of their personalities make them perfect for each other?  What parts clash, and need to be resolved (or compromised on) before they can have their happily-ever-after?  Let that lead you to write their first love scene, where their conflicts are revealed.  Can you resolve some of them in that first scene?  Reveal how their strengths and weaknesses compliment each other and maybe hint how this will help resolve their conflicts.  Then consider their next love scene and the next, until they’ve finally resolved all of their issues and they have revealed enough of their personalities to each other that they can appreciate how perfect they are for each other.

Until Next Time,

Kathryne

LET YOUR CHARACTERS WRITE YOUR LOVE SCENES/PART THREE

Revised and updated from a workshop I did several years ago, this post is all about using your characters to make your love scenes unique and intricate to your story. It has been posted in several parts over the last few months. If you’re a writer, this may help inspire you to write some of the most difficult scenes in your book: your sensual encounters. If you’re a reader, you will get lots of sneak peeks into the Relics of Merlin series, which is being re-released by Sourcebooks over the next few years.

The Relics of Merlin series of books are whimsical romances set in a magical Victorian London of sexy shape-shifters, enchanted tea, wicked spells and loose corsets. Since I’ll be using excerpts from several of the books in the series, I thought it might be helpful to have a quick overview of each:

Enchanting the Lady:  In a world where magic rules everything, two misfits--Felicity Seymore, a Victorian beauty unable to perform even the simplest spell, and Sir Terence Blackwell, a were-lion searching for Merlin's relics--form a passionate alliance.

Double Enchantment:  When Lady Jasmina accidentally creates a double of herself using a relic, the mix-up brings her real self into a compromising position with sexy were-stallion, Sir Sterling Thorn.

Enchanting the Beast: In the third book of the Relics of Merlin series, ghost-hunter Philomena Radcliff comes to Grimspell castle to rid the residence of spirits, but she finds most haunting of all a reclusive were-wolf suspected of murder.

Everlasting Enchantment: In this brand-new fourth book, Sir Gareth Solimere has been trapped inside of one of Merlin’s relics for centuries, and only true love will set him free. But when were-panther Lady Millicent Pantere steals the relic, will she be his salvation or his doom?

So why am I doing a post on (gasp) sex scenes? Because several friends of mine said it was the hardest thing for them to write. Since they are my favorite part of the book to write, I thought I’d share how I do it and hopefully it will be helpful to others. Since I always seem to learn better by example, I’ll be giving examples from all my books to show how my love scenes are a development of my characters, plot and setting. I’m sure there are many other ways to develop a love scene, so let this be an inspiration and not a rule. If you’ve read any of my other posts on writing, you know my favorite motto is: there are no rules in writing, just guidelines.

(Read my previous posts on this subject by searching for the title in the LABELS or CATEGORIES in the far right sidebar.)

THREE: USING YOUR CHARACTERS’ GOALS

The following excerpt is taken from the same scene I used from Enchanting the Lady for using a character’s flaws.  In this part, Felicity has been covering her nervousness with speech, and Terence takes advantage of it to pursue his own goal—to find the magical relic by discovering Felicity’s involvement with it:

   “So, you like to talk?”  His voice had gentled to a purr.  “All right, we’ll talk.  Had any bad dreams lately?”  He started at the buttons on his shirt, slowly releasing them one at a time.

   Felicity’s head spun.  Tonight of all nights he had to ask her about her dreams?  “No, not since the one I had at Fairview Manor.  Why?”

   “It got you that time, didn’t it?  What was it, a fog of black, a slimy monster, a mist of knives?”  He stripped off his shirt and let it fall to the floor.  His skin gleamed gold in the candlelight, the hairs of his chest made a pattern that sharpened to a point near the top of his trousers.

So Terence is intent on making love to Felicity but at the same time he’s still pursuing his goal: finding the relic. Consider how your character’s goals can lead you through their love scene or create one for you.  This next excerpt is from Double Enchantment. At this point in the story, Sterling’s goal is obvious:

   Frenzy gripped him and he rocked her up and down against his groin, pulled away and then plunged in again, seeking that threshold of pleasure that only Lady Jasmina could give him. And when it came he groaned with the force of it, half-aware that her own release shook her body in union with his.

   “Let go,” he finally rasped. Jasmina tore her cramped fingers from the headboard and he gathered her into his arms, her legs still wrapped around him, his shaft still inside her as she sat on his lap. He kissed the hair away from her face and stroked her back. He couldn’t afford to show her any mercy. He would have her promises before she came back to earth. “You are mine now.”

   “I know.”

   “I will tell your father that we are to be married.”

So think about what your character wants.  It will probably change throughout your book (although their primary goal might not) and each new goal can lead you to a new, unique love scene. Consider what your character wants.  Can the H/H provide it for them?  Can you use the love scene to reflect their individual goals?

Until Next Time,

Kathryne 

LET YOUR CHARACTERS WRITE YOUR LOVE SCENES/PART TWO

Revised and updated from a workshop I did several years ago, this post is all about using your characters to make your love scenes unique and intricate to your story. This is the second installment, with more to be posted over the next few months. If you’re a writer, this may help inspire you to write some of the most difficult scenes in your book: your sensual encounters. If you’re a reader, you will get lots of sneak peeks into the Relics of Merlin series, which is being re-released by Sourcebooks over the next few years.

The Relics of Merlin series of books are whimsical romances set in a magical Victorian London of sexy shape-shifters, enchanted tea, wicked spells and loose corsets. Since I’ll be using excerpts from several of the books in the series, I thought it might be helpful to have a quick overview of each:

Enchanting the Lady:  In a world where magic rules everything, two misfits--Felicity Seymore, a Victorian beauty unable to perform even the simplest spell, and Sir Terence Blackwell, a were-lion searching for Merlin's relics--form a passionate alliance.

Double Enchantment:  When Lady Jasmina accidentally creates a double of herself using a relic, the mix-up brings her real self into a compromising position with sexy were-stallion, Sir Sterling Thorn.

Enchanting the Beast: In the third book of the Relics of Merlin series, ghost-hunter Philomena Radcliff comes to Grimspell castle to rid the residence of spirits, but she finds most haunting of all a reclusive were-wolf suspected of murder.

Everlasting Enchantment: In this brand-new fourth book, Sir Gareth Solimere has been trapped inside of one of Merlin’s relics for centuries, and only true love will set him free. But when were-panther Lady Millicent Pantere steals the relic, will she be his salvation or his doom?

So why am I doing a post on (gasp) sex scenes? Because several friends of mine said it was the hardest thing for them to write. Since they are my favorite part of the book to write, I thought I’d share how I do it and hopefully it will be helpful to others. Since I always seem to learn better by example, I’ll be giving examples from all my books to show how my love scenes are a development of my characters, plot and setting. I’m sure there are many other ways to develop a love scene, so let this be an inspiration and not a rule. If you’ve read any of my other posts on writing, you know my favorite motto is: there are no rules in writing, just guidelines.

(Read my previous posts on this subject by searching for the title in the LABELS or CATEGORIES in the far right sidebar.)

TWO: USING YOUR CHARACTERS’ STRENGTHS

This excerpt is from Double Enchantment. Jasmina is determined to show Sterling that she is a passionate woman, and fortunately for her, our hero understands that:

     One black brow went up. “Are you sure?” he said through gritted teeth. He knew. He knew she wanted control, and his voice said it would probably kill him.

     “Yes.”

     He nodded. He would allow it anyway. Jasmina gave him a wicked smile and stood up between his legs. Her wet chemise molded to her skin; she could feel it sticking between the folds of her legs and across her breasts. Sir Sterling groaned.

     “Stand,” she instructed, and he came out of the water so fast it poured over the sides of the tub and raced across the wooden floor. Jasmina rescued the bar of soap and started lathering her hands again. He closed his eyes and seemed to whisper some fervent prayer, but Jasmina was too busy studying every inch of his magnificent body to pay much notice. She ran her hands across his chest again, this time continuing down the sides of his waist to his slim hips, feeling the bone and muscle. A part of her felt she was discovering new territory, but another part of her seemed to know exactly what she would find. She shook off the confusion and concentrated on her task.

Lady Jasmina leaned forward and curved her hands over the small dips in the sides of his bottom, to the full, round back of it. She ran her slick hands over the twin mounds, feeling him tremble from the effort it took not to move. She refused to pity him. Her fingertips swept up the curves to his lower back, and she felt two more very small dips there. How absolutely wonderful.

What are your characters’ strengths?  How can you use them to guide their romantic encounter?  In the above scene, the heroine’s strengths are obvious, but the hero is even stronger.  He understands why Jasmina needs control and he allows her to have it, not always an easy thing to do. Try exploring the strengths of your characters and how they can inspire your love scene. Think about their hidden strengths as well, like Sterling’s understanding of Jasmina, and how you can use those to lead readers through a romantic encounter.

Until Next Time,

Kathryne

LET YOUR CHARACTERS WRITE YOUR LOVE SCENES/PART ONE

Revised and updated from a workshop I did several years ago, this post is all about using your characters to make your love scenes unique and intricate to your story. It will be posted in several parts over the next few months:

1.     Using your characters’ flaws.

2.     Using your characters’ strengths.

3.     Using your characters’ goals.

4.     Using your characters’ personalities.

5.     Using plot and conflict.

6.     Using setting.

If you’re a writer, this may help inspire you to write some of the most difficult scenes in your book: your sensual encounters. If you’re a reader, you will get lots of sneak peeks into the Relics of Merlin series, which is being re-released by Sourcebooks over the next few years.

The Relics of Merlin series of books are whimsical romances set in a magical Victorian London of sexy shape-shifters, enchanted tea, wicked spells and loose corsets. Since I’ll be using excerpts from several of the books in the series, I thought it might be helpful to have a quick overview of each:

Enchanting the Lady:  In a world where magic rules everything, two misfits--Felicity Seymore, a Victorian beauty unable to perform even the simplest spell, and Sir Terence Blackwell, a were-lion searching for Merlin's relics--form a passionate alliance.

Double Enchantment:  When Lady Jasmina accidentally creates a double of herself using a relic, the mix-up brings her real self into a compromising position with sexy were-stallion, Sir Sterling Thorn.

Enchanting the Beast: In the third book of the Relics of Merlin series, ghost-hunter Philomena Radcliff comes to Grimspell castle to rid the residence of spirits, but she finds most haunting of all a reclusive were-wolf suspected of murder.

Everlasting Enchantment: In this brand-new fourth book, Sir Gareth Solimere has been trapped inside of one of Merlin’s relics for centuries, and only true love will set him free. But when were-panther Lady Millicent Pantere steals the relic, will she be his salvation or his doom?

So why am I doing a post on (gasp) sex scenes? Because several friends of mine said it was the hardest thing for them to write. Since they are my favorite part of the book to write, I thought I’d share how I do it and hopefully it will be helpful to others. Since I always seem to learn better by example, I’ll be giving examples from all my books to show how my love scenes are a development of my characters, plot and setting. I’m sure there are many other ways to develop a love scene, so let this be an inspiration and not a rule. If you’ve read any of my other posts on writing, you know my favorite motto is: there are no rules in writing, just guidelines.

ONE:  USING YOUR CHARACTERS’ FLAWS

This is probably one of my favorite scenes from my books, so this one came to me right away. In Enchanting the Lady, Felicity has been under a don’t-notice-me spell most of her life. Although she’s a beautiful girl, she thinks she’s forgettable and plain. This is her wedding night, and she’s waiting for the arrival of her new husband:

   If only she were more memorable.  What if he came into the room and didn’t even notice her in the bed?  That, she decided, would be more dreadful than him not coming at all. 

   Felicity lowered the bedcovers.  She leaned back on her arms, thrusting her breasts against the sheer cloth of her nightgown.  She did have a nice figure, surely he remembered that from their night in the Gardens.  A nice face wasn’t everything, was it?

   She crawled out from beneath the bedcovers and smoothed them flat.  Then she tried several different positions, hoping to gain his attention when he walked in.  He’d yet to forget her--but the longer he took, the more she doubted.

   Felicity lay sideways, hand propped on her head, gown billowing around her body, outlining the curve of her hips.  She lifted her leg and pointed the toe.  With a grimace, she rolled onto her stomach, propped her head again, and looked at her back.  Yes, the gown draped her behind in an enticing manner-- she could just make out the dark line between her cheeks.  But would he like that sort of view?

   She grimaced again and rolled onto her back.  Perhaps if she propped the pillows behind her, yes, and spread her hair out like a halo, and then flung out her arms like so…

   No, that wouldn’t do.  She should sit on the edge of the bed, and then put her arms behind her, and look over her shoulder with a smile of wicked invitation…

She flopped backwards, her legs spread and hanging down the side of the bed, her arms flung wide in agony.  She couldn’t find a single position that didn’t make her feel like a fool.  Still, she got up to try again.  Maybe if she stood on the…

   The door edged open with a soft creak, and Terence slipped into the room.  Felicity froze in mid-pose, having been so involved in making herself look desirable that she’d forgotten all about him.

   Terence glanced at the bed, and his mouth dropped open.  The look of utter amazement on his face made Felicity look down at herself.  She couldn’t even recall how she’d managed this latest arrangement.  Somehow her gown had gotten tangled around her waist, and she was on all fours, her long, black hair cascading down her back and over her shoulders, her bare bottom exposed to his gaze.

     Well, she needn’t wonder if he’d like that sort of view.  His eyes glittered with appreciation.

I realize you may not have the fantasy element in your book. But how many women do you know that are very attractive, but wholly insecure in their looks? Wouldn’t the complete vulnerability of sex bring that fear to the forefront? How much fun could you have incorporating that into your love scene? And it certainly doesn’t just apply to your heroine.  What issues does your hero have that can lead to the development of an intriguing encounter?  Which leads me to my next excerpt, again from Enchanting the Lady:

   Terence took a step forward, his hands fumbling with his tie.  His voice slurred the words.  “It might have been better if you’d already been asleep with that delightful body hidden beneath the linens.”

   “Why?”

   He threw his cravat on the floor and started shrugging off his coat.  “Because now it’s too late and I can’t stop this from happening.”

   Felicity dragged the top of the bedcovers closer to her.  His words sparked a kernel of fear in her belly.  Was it so dreadful then, that he’d try to spare her from it?  Why did he act so strange?  “Are you drunk?”

   “Certainly not.”  Terence threw his coat over a chair.  “Slightly foxed, but never drunk.”

   Felicity’s hands finally closed on the edge of the bedcovers, and she started to drag them over her.

   “Don’t do that,” he growled.

So is your hero approaching the encounter with trust issues?  Are you writing a mystery where your heroine may be a suspect, and despite your hero’s attraction for her, he’s still suspicious?  Does your hero want your heroine, and he’s angry at himself because of it?  Whether it’s trust or power issues, let your characters guide you in their interactions so that your love scene will be as unique as your entire novel is.

Until Next Time,

Kathryne